Port Angeles by Grace Hogsten

Issue 36.0

Editor’s Note

Dear Washington College Community —

Perhaps I’m stating the obvious by pointing out that this is a time of uncertainty for many of us. The start of the fall semester on campus marks a moment of change—whether that looks like adjusting to a new school, preparing to move onto the ‘real world,’ or anywhere in between—and with change comes the unknown.

It is intimidating to face the disruption that comes with transition. Admittedly, despite entering my final year at a college that I moved across the country to attend, I deeply struggle to embrace change when it comes along. No amount of schedule changes or moving days or plane rides is ever enough to fully eliminate the anxiety that anticipation evokes.

What I have found, though, is that even in the most uncertain times, community is the strongest force there is. Having a space to turn to where your voice will be heard and you will be welcomed with open arms will ground you no matter how adrift you may feel; forging that bond with the people around us is essential.

Collegian has always endeavored to be just that—a place for expression, support, and connection—and it is my sincerest hope that you find a home here, too.

In this first issue of Collegian’s 36th volume, we grapple with loneliness and vulnerability, navigating uncertainty, searching for community, and, most importantly, finding it. I am indescribably grateful to my predecessor, Sophie Foster, for guiding me throughout my transition into this role as a leader, and to my team, who have come together to craft a collection of vibrant, moving work. Sheri, Jaya, Seth, Ziggy, Sophie, and Grace are thoughtful, talented editors; I am so proud to work alongside them this year and to share their writing and art with our community now.

I hope you find something that resonates with you in this issue, and, above all else, I hope you feel invited to share your voice, too.

With love,
Lucy Verlaque
Editor in Chief, Collegian

Table of Contents

Port Angeles by Grace Hogsten

“Baptism” by Sophie Kilbride

Disbelief by Sheri Swayne

“Mountain High” by Lucy Verlaque

“A Homecoming” by Seth Horan

Ekphrasis by Jaya S. Basu

“ode to the moth that got into my car (or; he’s more afraid of you than you are of him)” by Jaya S. Basu

“The Girls in Bunk Beds” by Sheri Swayne

Untitled by Grace Hogsten

“Sunflower” by Seth Horan

Compulsion by Jaya S. Basu

“Reconciled” by Grace Hogsten

lip locked by Ziggy Angelos

“Surfing Lessons” by Lucy Verlaque

“How to Write a Song With Someone” by Jaya S. Basu

lay by Ziggy Angelos

“Poolside” by Sophie Kilbride

夏の終わり(Natsu no Owari—The End of Summer) by Seth Horan

by Sophie Kilbride

Baptism

River rushing
mud down newborn palms,
staining the sealed eyes of a seed.

Blood of the mother:
crimson waves slapping against skin, scraping cheeks red
when she comes home drunk.

A mother in anguish while her own looms on broadcast news.
The world’s familial grief magnified through her hazel eyes,
their tears falling like bridges to the bell tower.

Go in peace,
says the priest at Sunday mass.

The peace,
cupped like water in a baby’s hand, spills
onto the linoleum, trickling down tear-soaked pews.

Hazel eyes watch her child made sacred by alien hands.

She holds her breath while a
white gown is submerged, then
emerges from the holy water as a ghost.

In the background, a man is bleeding. Her baby is crying.
She thinks only of televisions & blood.

Maybe it’s God who cries out,
is this the end of communion or the road to atonement?

But let not your hearts be troubled, says the Priest.

By blood or by televisions? Blood,
on the televisions inside a million American homes as
a mother carries her crying child from a church.

Peace I leave with you; my peace I give to you, he says.

In the clenched fists of mothers before & after hers,
on the guilt-stained lips of an infant.

Disbelief by Sheri Swayne

by Lucy Verlaque

Mountain High

On family hikes, my brother and I
abandoned the trails
to ravage the rocky terrain.
Our father’s fear of heights was not hereditary—while
he kept careful watch from the dull valley depths,
we conquered canyon walls, devouring
sedimentary surfaces, certain
one of us must out-demolish the other.

My brother was fast, but I was spiteful.
I made myself as stubborn as the unwatered wildflowers
and as durable as the cliffsides they clung to.
My roots stretched wide to withstand
drought-cracked dirt, arid air,
the desert dust that settled in my lungs.
There was never a finish line in the empty sky
above us, no matter
how many stones we struck trying
to reach it.

We spent energy
our small bodies could not afford, ignoring
dry heat headaches thrumming
behind our eyes. I bragged
about my scraped shins and calloused hands to
prove my bruised
skin was not fragile.

by Seth Horan

A Homecoming

A rain fell which should have been snow,
Icing the streets and graying the air.
Into its wake I strode from my blanket,

My skin turning ruddy, tingly, numb.
A distant edging of tall trees like brambles
Led me down the asphalt wrestling with the

Hills toward the roadhouse. I’d seen it in
Passing, but never got close. I decided
Last week that today I’d give in. Crowing

Ecstasy flooded from the roadhouse,
Each thump pounding my heart with the pulse of
A life. Each beat made me yearn more for

Mom and Dad to snuggle me between their
Chokingly cotton comforter, feet dangling
Off the edge of their bed so a monster

Might fill on them and let me free. And I was
Suddenly before the roadhouse door
With tears in my eyes, leaning in through the

Doorframe. The crowing became drunken fights
And flirts, and an old friend called me to his side.
The heat of the place gave me aches in my joints,

So I only heard him with half a mind.
His words bit my ear; I pressed it to my
Shoulder—and I saw a warped window behind

Him. I looked out to birches and the damp
Splayed heads of wheat. The yard was a field,
My reflection a living, barren dream.

Ekphrasis by Jaya S. Basu

by Jaya S. Basu

ode to the moth that got into my car (or; he’s more afraid of you than you are of him)

you don’t know how powerful you are.
the titan you evade jerks away,
daunted by the brush of your naive spindly feet.
blindly, you chase the light,
a-flutter with collywobbles in your
dust-mote stomach.
your undelicate eyespotted wings seem to wink at me,
couching antennae that receive, not broadcast.
chemical signals that smell like salt and taste like flesh
run head to thorax to abdomen, bidding you
flee! flee! but
you cling to my dome light,
preying on my uncertainty and
too-nicety, a leitmotif, a common theme
in the symphony that is my car.

would you like to choose the playlist?
my library smarts like a bruise
from your eyes, the
unsoulful yet nonsoulless army of lenses
(confused yet impartial; impartial yet confused)
compounded in order to raise the hair
on the back of my neck;
and your vellum-felt feelers,
curled into pipe-cleaner spirals,
revile the repulsed follicles
on my goose flesh.
you whiten the knuckles on my steering wheel.
you stir the sinews in my wrist.
you curl the toes thrust against the dead pedal.
you choose a playlist i haven’t heard since sixteen.
you rub the memory red,
raw.

i convince myself i love you.
your adoration of the non-bio
luminescent, your
devotion to that which you
do not understand.
your unpretty segmented body and your
flutterless, butterflyless ungossamer wings.
your love and your stupid,
your fear and your fearlessness,
your velveteen wings, your satin eyes,
your taffeta fear, your corduroy lust,
you, you, you,
small and quivering,
powerless and powerful.
you are
submerged in feedback–
swimming through melodies that
waterlog your floundering wings.
you flail against the thrumming glass;
your small head threatens bursting and
your little feet tarantella down the
polyester pillar, tantalizingly close to
freedom, until–
flapping, jitterbugging, moonfalling–
you’re gone.

by Sheri Swayne

The Girls in Bunk Beds

My sister, I would like to meet you again. Our minutes are slipping, and our days are blurring together, and the things I know about you roll their eyes at me. They groan at my outdated memory, but I know some things about you.

I know some things; I know small things, but you haven’t told me about your guilt yet. You haven’t shown me what you’ve built yet, and I’m scared I don’t fit anymore, and when did our talks become wars, and when did you start to be bored with me, and how do I go back? How do I go back

To the girls in bunk beds and the pink and purple spreads and the stubborn light switch and the midnight mug cakes and lying awake too late when all we could make was easy laughter, easy love, easy connection,

Connection, connection.

I’ve connected with nothing when reaching out to you. I know the bite of your disrespect. I know the length of your distance. I can count the inches, feet, miles away from me you’ve walked. I’ve talked to you in my head in case you didn’t know I’ve argued with you and won against your one hundred scoffs and ten thousand frowns. We used to watch the clouds together, and now I smell weed in your hair, and I can’t bear your talks with our dad. You turned your back on him, remember that?

And when did you forget what family is? When did you forget the things that made you? When did you give up what stayed true for what craved you? When did you exchange who loved you for what numbed you? What numbed you?

My sister, I love you.

Untitled by Grace Hogsten

by Seth Horan

Sunflower

The first day I spent alone with Himawari was the last before I left. It was raining from before I woke up, but I didn’t mind. Following when the university introduced us as Buddies in April, I could count the number of times we’d hung out on one hand over the semester, and each time it was either with her friends or mine. I didn’t think she thought anything of that, or anything of that day leading up to it. Even now (only a few weeks later) when my time with her feels like nothing more than a dream—like I’d suddenly awoken in Maryland two weeks before classes—I can’t help but wonder if she really misses me at all.

 

We met for lunch at one. The place we went to, near Totsuka Station, was crowded with people likely trying to get inside for a moment, and by the time we got our food, ate and paid, it was already nearing two-thirty. The ride to Kasai-Rinkai Park Station was just under an hour and a half. We’d only have about an hour in the aquarium before it closed.

 An aquarium date was something that’d been on my mind for a while; from sometime in the years I’d spent without anyone in mind to take. The idea of an aquarium gradually grew beyond an air of romanticism for me, though. I realized I liked the atmosphere of them—the soft, ambient music; the deep and cool lighting; the clean and homely construction and design; and the animals, of course. There was a liminal quality about aquariums that made me feel sentimental. But the closest aquarium to my place in Maryland was an hour away in Baltimore’s Inner Harbor, so I didn’t often go to them.

The summer before I went away for my freshman year of college, however, my dad and I drove to Atlanta to visit the Georgia Aquarium—the largest aquarium in the States. That was one reason I wanted to go, but the other was they were hosting an event where people could interact with a penguin. I loved penguins. So much about them was cute—their shapes, their sizes, the ways they moved— The problem with the event, we figured out, though, was there was only a single seat left for it. I’d have to do it alone. Which may not seem like such a big thing, but I was terrified to join a group of people made of other groups of people as the only single party. And more than that, I was terrified to do anything alone at all. In hindsight, the world was small for me, then. As it is now, but back then, I felt I was frozen. I felt until I found the right environment, until I could live as an adult, I couldn’t help myself.

I couldn’t wait that long. I took the seat.

The penguin’s name was Tinkerbell, and she felt like a wet rubber tube.

 

Standing on the train, the flowing river of gray out the train windows slowed, then halted. I turned to Himawari next to me, her nose no higher than my chest. A smile crawled onto my face in hopes of not seeming so absent from her. She turned to me too. I breathed a pained laugh. What should I say? Anything, really. Obviously.

The doors slid open to the platform. She shifted her body slightly, still looking at me, as if to make sure I understood. I followed her through the threshold, then the exit, and against the flooding crowd to an open space by the wall next to a line of gachapon. I figured she meant for this pause to ready us for the onslaught of rain just down the stairs, so I brought up my hood.

We continued to stand there, after that, the fact of the situation coldly skittering outward in my body from a nest near my heart; soft, migrating clusters of pinpricks drying my mouth to a taste like freezer burn.

Our train left. Looking over the rows of other platforms, I saw another train rolling in. I saw the lines of people standing on the platform edge and watched them each get eaten up as the train rolled through to the end of the station. The sound of the train’s lowering speed pooled in my hood, flooding my ears. Since coming to Japan, I’d noticed the glut of human accidents delaying trains. I’d often thought about how it might feel to stand watching the rails, glancing at the train coming in, avoiding the conductor, having a surge of romanticism push you forward—

So, that’s all my life is? And I haven’t yet felt happy to be alive . . . Suddenly at the end of things, there is a vague sadness at not having started a family . . . Or published a book . . . And a vague desire for a little—no, a lot more.

—Onto the tracks and under the train.

I’m scared to die. I want to be hospitalized for a while. To be alive without living and not feel the guilt of that.

“Are you ready?”

Himawari was looking up at me and it made my heart leap from the hospital bed to the space next to the gachapon.

“Oh, yeah.” Was she waiting for me?Ikimashou ka?”

She gave a slight nod and a sound in affirmation, then we made our way down to the brink of the rain.

Himawari took up her umbrella, then looked to me. Possibly trying to avoid another period of silent loitering, she asked, “Do you have an umbrella?”

I shook my head bashfully, then spread out my arms. “Only this.”

Her eyes and mouth flicked open with mild shock, and she made a sound in disbelief. “Nande?”

“I thought a windbreaker’d be enough . . .”

She made the sound again. Then, after a brief hesitation, she brought her umbrella between us. “Okay?”

Daijoubu.”

I made to walk so she would start with the umbrella, and we were off. Ahead of us, the Ferris wheel peaked out to the side over a line of trees along the walkway. The trees came together in the distance at a tall, framed glass bubble—the dome of the aquarium. I felt I was too early in seeing it, so I flicked my eyes down to the wide, stone bricks of the way, wet under my feet. I felt water splashing on the edges of my pant legs and on my left side too. I looked at Himawari briefly before that flustered me. I reached out a hand then and took hold of the umbrella above where she held it. It felt as if the rising humidity from the rain was steaming my face under the umbrella next to her’s.

Ano . . .” I began. Himawari half looked at me. I felt a light shiver crawl over my skin. “Do you like aquariums?”

She gave a slight nod and made a sound in the affirmative. Relief washed over me momentarily before I thought that there was no way she could have said no at this point. She continued with thoughtful English. “When I was in primary school, I loved Ponyo, so I became interested in the ocean.”

I smiled and said in Japanese, maybe a bit too formally, “I like aquariums too.” Then in English, “I think the ocean is cool . . . and a little scary.”

Kowai? Why?” She wore her question softly.

I heaved a shy laugh. “It’s so big . . . If I can’t see or touch the bottom, I get scared. Even looking at pictures of fish in the open ocean makes me a little uneasy. I can’t help but imagine some kind of creature swimming around effortlessly and imagine myself barely staying above water. I mean, even if it’s just a dolphin, or something, I’d be scared if it was swimming near me.”

I examined her face between glances at the ground, but I wasn’t sure if she understood what I was saying. Whether she did or not, she nodded again when I was done, and we fell into another silence.

There weren’t many other people around. The heat and the pressure under the umbrella felt like a void crushing me.

In the wake of the silence, Himawari and I giggled together, and the thought we might look like a couple crossed my mind and reddened my already ruddy face.

In Japanese, again, I asked, “What’s your favorite sea animal?”

Kurage.”

From my smile, and a little performatively, a small burst of air blew out, and I said I didn’t know what that meant.

Himawari’s brow furrowed slightly, then lightened as she brought her hand free up in the puddle of air between us, spread her fingers, and pulled at nothing, dragging her hand haltingly in a soft curve.

“Jellyfish?”

She thought for a moment—“Sou, Jellyfish”—then smiled in a way which felt like a platitude but warmed my heart (the heat having been sucked from it to my face).

In Japanese, I told her I liked penguins.

“Oh, kawaii! Maybe they have them here.”

“I think they do,” I said, knowing full well I confirmed this with the animal directory online beforehand. “I’m excited to see them!”

She made a sound in half-agreement.

And, again, we were silent.

 We carried the silence to a low, climbing set of steps at the head of the way. I ducked my head as we went up, anticipating the view I saw at the station. And then it was there.

Looking ahead, again, the dome stood starkly blue against the gray sea of sky behind it, and the stones, smooth and slick with the rain, reflecting it faintly as a ghost. The stones flanked the dome broadly and came to a ledge at every side, forming a terrace directing Himawari and I underneath the dome’s blue-glass and iron. There, the silence finally dissipated after we filed into one of the empty ticket lines as we paid at the counter. From there, it was only a few steps to an escalator that carried us down into the first room of exhibits.

The room was dark, lit sparingly, the primary source of light coming from each of the fish tanks along the walls. I read and tried pronouncing each of the animals’ names in Japanese before relaying the English name to Himawari. Every time we moved to a new tank, I took notice of the people around us—a father and his son, wandering back and again between the tanks as his father read the name plates; a young man and woman with a little girl in a stroller and every now and again, a couple.

I was laughing perhaps much like an American at something Himawari said or did—nothing more important than the algae on the back walls of the exhibits—and suddenly I thought again about how we must seem. I wondered if the children could tell how little I’d lived in Japan.

I wondered if the couples could tell how little she and I knew each other. I wondered if the parents could tell how little I knew of living.

Himawari and I continued mostly like this throughout the rest of this section of the aquarium, stepping off course only to enter a larger exhibit room with stairs to a tank standing at a height like two stories. I stood in front of it for a moment longer than Himawari (I hadn’t noticed her turn away), but when I went to scan for her, I found myself unwilling to move. I sensed at some distance in the dark behind me a series of eyes, seeing me, illuminated by the caustics dancing freely behind and over me. The aquarium was populated only sparsely with guests, and maybe it was only the gusts from the air conditioning unit above me, but I thought I could make out amongst the quiet breathing of the place a sound almost like my name. I stood for a moment waiting for it to come again. Then longer—long enough to think I’d actually like to hear it to save me from my stasis.

“Judas.”

A thrill like the thrashing of a hooked fish ran through me. I felt my blood chill, chest tighten and eyes widen, wider, taking in just about the fuzzy blackness of the room in my periphery. My neck felt engorged like a statue made from flesh, and I was waiting for the sculptor to crack it with his chisel, release my body’s tension more with every spray of blood—

Himawari came around to my face, now, having done a lap of the room, and I smiled and followed her out.

 

We made it, after that, to an area with a large glass wall and doors leading outside ahead of us, and the path continuing to the right. As we walked, I could barely make out through the glass an exhibit with something like tall, jagged rocks jutting from inside it and what could have been a pool of water. I’d seen something like this before in Atlanta. A penguin exhibit.

I drifted from the line we were making to the exhibits to the right to glance out at it more, and Himawari trailed behind me.

Pengin?”

Tabun . . .” I said. “Demo . . . Imasen . . .

In my stilted Japanese, I relayed to her the fact of things. There were no penguins in the exhibit.

“I guess it’s because of the rain,” I said.

Tabun . . .

Some of the people I’d seen earlier in the aquarium were passing through now. A couple came over to stand near where I was and tried looking out to the penguins as I had, then, seeing there were none, moved into the next room. I stood where I was, only a little disappointed.

If I’m not mistaken, many penguins mate for life. I thought about when I’d gone to Atlanta. The trip marked the end of my life in grade school. Then, the opening of the of weight living—albeit, with training wheels. It’s almost unnerving to be so responsible for yourself. I thought about what my college life could be like—I thought about a life with close friends and the makings of a career—and a girlfriend. And I thought about the luck I’d need to land all of that. And I thought about how I’d need even more luck if I wanted my girlfriend and I to stay together after graduation.

I had a strong aversion to entering a relationship I could see the end of, then. Then. I’d be leaving Japan the next day. Yet I knew if she asked me to date her, I might say yes. The reason for which, I was afraid, was I felt like I was falling behind.

 

Himawari was gone again when I regained myself. I peeled my body away from the empty exhibit to look for her in the next room. It hit me that I’d spaced out on her twice, now. I felt my heart try to tug me down to the soles of my shoes with each step.

Entering the room, it was different from all the ones we’d been to before it. It had a high, industrial ceiling, was brightly lit and most of the walls were white. The wall to the left was tiled and even has stairs to a catwalk to look into the exhibits from above the water. There was a children’s exhibit near the right wall, but it was closed. Rounding it, I saw Himawari standing in front of one of the exhibits near the end of the hall. As I walked up to her, I noticed what she’d been looking at and tried to refresh myself on the word before she saw me. I made it a few paces away.

Kurage?”

Sou.”

We looked at them for a short while, then walked on.

After that, there was a short walk until we wound up in the gift shop. As we walked around, I felt the tugging in my heart spread up to my tongue and down to my knees—I felt like I’d crumple. I didn’t want our time to be up yet. I didn’t know what to say.

Then, through the overhead speakers, came a crackly piano instrumentation of “Good King Wenceslas.” Inspired by the oddity of it, I drew my face up into something dramatic and turned to Himawari.

“Isn’t this a Christmas song? Why’re they playing it in July?”

She didn’t so much as crack a smile for me. “In Japan, when they play songs like this, it means it’s time to leave.”

My face was straight except for my mouth which was creased into a flat smile.

Sou desu ka?” Is that so?

That got her to crack.

 

Himawari pulled out her umbrella again, and I flipped up my hood, then we started back to the station. I couldn’t bear the thought of ending things here, but I couldn’t bring myself to know for certain that she wanted to go home. Eventually, though, ahead of us and a little off to the side, I spotted a statue of a tuna upright on its tail under a small, long roof. It was a photo spot.

‘Himawari . . .” I started. She looked at me.

I’d like a picture of you. Would you mind? Even then, I felt like a pervert for having this idea, but I didn’t have any photos of her on my phone, and I thought it might buy me a little more time with her anyway.

In Japanese, I asked her if she wanted to take pictures. She replied affirmatively, and so we did. First, she took a photo of me—smiling too broadly—and then I took one of her. I hadn’t looked at the photo until she went to line up at the edge of the roof, once again taking up her umbrella, and it had turned out kind of blurry. But I could still make out her face, which was fine enough.

Suddenly giddy, I worked up the courage, with a single skip to catch up to her side, to try and prolong our time.

 “Is there anywhere else you’d like to go?” I asked, smiling.

She shook her head.

“Do you want to go somewhere else?”

“Hmm. Maybe . . . it’s okay to go back.”

A sadness seeped into me with the rain. I smiled even wider. “Sure!”

 

That smile faded over the course of the train ride. By the time we reached Totsuka, it was all but gone, and taking with it the strength left to hold up my body, straining further not to crumple into a ball.

Jya . . .” Himawari stood looking at me after we’d walked through the gates. I looked at her. There was so much I wanted to say, but I didn’t think I’d be able to phrase any of it in a way she’d be able to understand. And it felt like too much to run all of it through a translator right there in the station.

Jya . . .” I said.

We stood like that for a while before Himawari raised her hand for a high-five. I met her hand solidly with mine, my eyes burning a little. Then, we both straightened back up and looked at each other some more. After a brief pause, Himawari opened both of her arms out in two synchronized jolting motions. I stood there for a moment longer. She was offering a hug.

I can’t forget this, I thought, but by the time I’d even finished thinking that, I’d already gone in and out and not even given myself the chance to remember it in the first place. And I stared blankly at Himawari again.

Jya . . .” I said again.

Jya . . .” she said again.

I turned my head from her, brow and lip squirming to come up with what to do.

“Judas,” she said with a small laugh. “Daijoubu?

Daijoubu.” I played up my expressions then until she got another laugh out, at which point I knew I couldn’t say anything to her here.

I made the same flat smile I made in the aquarium gift shop and made my first step to the side.

Himawari picked up on this and took hers in the opposite direction.

“Himawari. Arigatou!” I called to her.

Arigatou!” She was just about giggling as she said it.

We waved at each other, each walking backwards, until I reached the stairs to Totsukana Mall. There, I decided not to let myself stop and turned from Himawari and walked all the way back to the dorm with my face and ears burning, my chest and throat tight, and a feeling like complete and aching elation with a stone of regret in my stomach.

 

I texted Himawari that night just about everything I wanted to say, and she responded about half an hour later confirming everything I’d thought. But she said she absolutely wanted to stay in contact, so I was fine with that. In truth, I felt more relief than anything else. That I wouldn’t have to perform for her anymore. But it killed me, still, that I didn’t know if I’d see her again.

A little before I went to bed, I got another text from her. What time do you leave tomorrow?

A little after 14:00.

I waited for a little while for her response. Thoughts came into my head like, Does she want to see me off at the station? Then, Maybe she wants to give me a goodbye kiss on the cheek . . . And I chastised myself for that propensity.

After a little longer with no reply, I went to bed.

 

I woke in the morning with a refreshed sense of self. I felt like a new man—a weight lifted from my being and a confidence in my ability to live independently.

But I remembered how it felt going back to Maryland even from Atlanta. Like some inky dependence creeped into my body and drained my life of its immediacy. Those days in Atlanta started to only feel like a dream, at some point, and I suddenly realized I was afraid of Himawari becoming a dream to me too. A profound sentimentality pooled up inside of me then. A lurid contrast to how I’d felt about my stay even the week before. I’d wanted to go to Japan practically my entire life, and now I’d finally done that. And I could only feel fine about it. What more did I have? At home, I knew I only had the coming semester. I’d have to get an internship soon and start looking for jobs. Where was I going to live after I graduated anywhere? More than where, how do I live now?

As I was finishing up my packing, I got a text from Himawari.

Oh, you didn’t take an early train? I can meet you at the usual spot, then.

I stopped where I was and turned to the glass doors to the balcony. I brushed aside one of the thin, white curtains and held it in my hand; which turned into a fist, tighter and more tears fell to the carpet.

 

Before I left to meet her, I frantically searched through numerous webpages and translation sites to make sure I knew how to say what I wanted to her. Tugging both of my suitcases over to the station, I repeated it again and again in my head in starts interspersed with curiosity about how she’d act with me and baseless fantasies for our final goodbye.

When I got to the station, Himawari was waiting inside the NewDays near the gates.

“Whoa!” She latched onto one of the suitcases. “Are they heavy?”

“Yeah, they’re pretty full,” I said nervously.

She then pushed it forward to the far gate—the widest.

Once we stopped there, she stood up and looked at me. Not knowing what else to say, I said, again, “Arigatou,” suddenly worried about the possibility of another lengthy send-off.

Arigatou,” she said, giggling. Then—“Oh—”—she pulled something from her pocket and held it out for me.

A keychain of a penguin.

“I got it in there just now.” She gestured in the direction of the MODI across from the station. “In a crane game.”

For what it was, I was speechless. I was truly thankful for it, but I only managed to say, “Arigatou!” again, and I wished I’d gotten something for her.

Then, putting it in my pocket, I remembered.

 “Sabishikunaru!” I’ll miss you.

Or more directly, it’s something like, I’m lonely (because I’m not with you).

Himawari laughed, probably surprised. “Sabishikunaru!”

I smiled, content that she said it too.

Jya . . .

She laughed still. “Jya . . .”

“Bye-bye.”

“Bye-bye!” She raised her hand for another high-five. Which I met, glad to touch her one more time.

Standing there after, I thought it’d be best not to have a repeat of the previous night, so I waved to her and started through the gate. I watched her wave back as and did, and as she walked out of sight.

 

On the train to the airport, I was thinking, that goodbye was nothing. Nothing compared to the previous night. I cried in the morning for a keychain and a high-five. Was I a fool to dream of more? I couldn’t help but wonder if this would change how I felt about my life from only hours before; for better or worse, ground me. Once again, I was on my own. Somehow an even newer man (if I can even call myself that yet), and Himawari a sun-dappled sweetness clenching my lips, furrowing my brow and tightening my heart—an orange phantom alive in every ache and relief it gave me. I wondered when I’d forget that feeling. If I’d forget her. She was a friend now. For certain. But somehow, I was afraid to let the tensions of my love fade away. And I knew that was coming. And I’d be a new man, then, too. Or an old one again.

I wrestled my hand into my pocket, pushing aside my wallet so, at the bottom, I could feel the keychain. I thought about where to put it. I could take off some of the keychains I had on my backpack and attach it to a zipper pull there. Or put it on my lanyard with my student ID. Or keep it on the bookshelf across from my bed.

I remembered the fall semester at my school in Maryland began again in three weeks, and I’d have to start thinking about internships and a thesis and what I was going to do after I graduated—

I could feel a heavy, numbing pain form at the front of my forehead and wrap around the sides.

In truth, I thought of myself as a child. Functionally, I was barely more than one. Living as independently and confidently as an adult was more responsibility than I felt I could manage. I often spent weeks lounging, unable to relax, unable to act. I only noticed I was living when the days had gone past, and each time I did, I was arrested by the same question: If I can’t enjoy my life, why should I live it?

Ow—The plastic beak of the keychain hurt to touch. But the back was smooth, and it felt good to rub my finger across its odd, stump-like feet.

The train began to slow, so I brought up my hand to hold my other suitcase again. Mildly straining to hold each one near my seat, I watched the apartments and transmission towers flow in and out of view.

I’ll be lonely without you. I smiled quietly. I think I’d be lonely anyway.

I wondered what Himawari would think of me in a few months, a few years down the line. I hoped to see her again, and I hoped she hoped so too.

Sabishikunaru. Did she really mean that when she said it?

The train started easing back into a higher speed.

Whether she did or not, though—I rubbed the penguin’s feet—I knew where I put the keychain was up to me.

Compulsion by Jaya S. Basu

by Grace Hogsten

Reconciled

When I first learned what it meant to be queer, my heart ached. I couldn’t make sense of the idea that the God I had worshipped my entire young life would create people with love in their hearts he wouldn’t let them pursue and identities he wouldn’t let them express. I’d always been taught about a nurturing God who valued love and kindness and caring community above all. And yet, everyone around me seemed to accept that this was true. You weren’t immediately sinful for being queer, they all agreed, but living righteously would necessitate ignoring and denying those feelings, settling for a life that would never quite fit. My mother assured me that if I realized I was queer, she would still love me exactly the same. She would want me to tell her, she urged; she wouldn’t want me to feel alone. I nodded just so we could move on, knowing I would never tell her or anyone else if I was queer. What good would it do? All I would get was another set of pitying eyes watching me live without a piece of myself and knowing how much it hurt.

I tried to forget the conversation immediately, and, for a while, it was fairly easy. In my Christian bubble, queerness was a taboo topic; perhaps the people around me were following the maxim of staying silent when they had nothing good to say. But under the surface, the worry that I was queer was almost omnipresent. I was secure in my gender; I loved everything feminine and flowy and bright. I tried to imagine a life where dresses and dolls were denied me and felt sick. I would never question anyone’s interests based on their gender, I resolved; as far as I was concerned, everything was for everyone. However, the question of my sexuality was not so easily settled. Every so often, I saw girls who were unbearably beautiful. They lit a spark in me, but I couldn’t determine its source—was it jealousy? Or was it something more? I tried not to think about it. After all, I knew I’d had crushes on boys, so I could marry one. I never needed to know if I liked girls too. 

At 13, I made my internet debut on Pinterest, and the concept of queerness became harder to ignore. While I’d downloaded the app to look at recipes and crochet patterns, my feed soon veered in a different direction, showing me more and more screenshotted text posts and infographics. Once I started saving and liking content about feminism and body positivity, posts discussing gender and sexuality followed. From the safety of my own locked room, I could encounter discussions of queerness outside of my own head. As I became active on more social media sites, my knowledge about the community grew. I felt too ashamed to like any posts about queerness, but I read them, and the algorithm knew, so it kept feeding me more. I watched videos of teens documenting their transitions, scrolled through slides about queer history, and read textposts on label discourse. I was ravenous; no amount of guilt could tear me away.

When my junior year came to a close and it was time to begin my college applications, I didn’t apply to a single Christian school. After endless classroom conversations about how women really were better suited to housekeeping and discussion board postings about how gay relationships simply didn’t work, I knew that if I went through four more years of Christians telling me what to think, I would lose my faith. So, I committed to a tiny liberal arts school and collected my high school diploma—August couldn’t come fast enough. My assigned roommate and I sent messages back and forth about our families, hobbies, and class schedules. I scrolled through her Instagram page and saw that she had also graduated from a Christian school, so I sent a vague message about how I hoped that college would be an opportunity to meet people with perspectives and experiences that were different than what I’d encountered in high school. She said she was looking for the same thing, and I knew we’d get along.

Over the course of my first week, I found myself surrounded by new friends—including my roommate—who were not only queer but comfortable with their sexualities. They weren’t afraid of attraction, and I soaked up their confidence. Soon, I began to join in on their sexual jokes. I stopped feeling embarrassed about having celebrity crushes or wanting a romantic relationship one day. Each silly innuendo paved the way for me to honestly consider what I wanted, but they could only take me so far. Around other Christians, I felt guilty for believing that queerness couldn’t possibly be wrong. Was I letting my emotions take hold and steer me away from what God had determined was good? I felt guilty around my friends, too. I wanted so badly to be affirming, to fully believe that there was nothing wrong with being gay or trans, but I was terrified it wasn’t true. My doubts plagued me, and I felt that my presence at queer clubs and events disrespected the space. At every turn, I sought out queer community, but I kept feeling I didn’t deserve to be around these people I loved—just like I did in church.

One night, my roommate and I sat on our beds, talking aimlessly as we often did before turning out the lights. Somehow, the conversation turned to labels and queer terminology, and she started talking about the word “sapphic.”

“I love it,” she said. “It’s just such a nice word.”

I agreed.

“It sounds so soft,” I said. “So beautiful.”

The word hung between us in the air, shimmering just out of my reach. I wanted so badly to take it, to claim it as my own, but I scolded myself instead. I was straight. It wasn’t for me.

I kept pressing forward, contradictory worries and feelings of guilt flitting through my mind. No one could know what I was thinking. I didn’t want to burden my friends with my internal conflict over their identities, and I didn’t think any other Christians would understand. I prayed again and again, tears streaming down my face, asking God to give me a clear answer. Was the popular interpretation of His word true, or did He hold space for people to fully accept themselves? No matter how much I lamented and sobbed in my bed or in the tranquility of the campus garden, I didn’t get an answer. I lost my motivation to attend my campus Bible study or find rides to any of the local churches. My faith felt like a one-way street I could only stumble down, resigned to the knowledge that I wouldn’t be happy wherever it led.  

Several members of my Bible study planned to attend a large Christian conference over one winter break. Even though I certainly hadn’t been the most dedicated member of the group, I decided to sign up; I wanted to feel connected to God again, and I’d always loved going on youth group retreats. I’d felt so free worshipping in a crowd of people my own age, knowing they wouldn’t judge me for bouncing or swaying while I sang, and these trips often afforded new opportunities to bond. Sure enough, at the beginning of the conference, the other girls from my school and I sat in our hotel room to share our hopes and our struggles and pray. I felt close to them, so I offered up a little piece of my heartache.

“I feel like I have questions for God, things I don’t understand,” I said, “but I know I just have to accept that I’ll never get an answer.”

“You don’t know that for sure,” one girl responded, startling me out of my spiral for a moment.

I nodded politely.

“I guess that’s true.”

But I’d been asking for so long that I’d given up on an answer. I had a nagging feeling that I knew why I’d never felt a response—maybe God thought it would be better for me to encounter silence than a “no.”

Over the course of the conference, I grew closer to the others. I opened up more and more, talking about my love for the queer community. Eventually, I broke down crying to one girl, being more honest than I’d ever been, as we stood in the hotel lobby between panels.

“I love my friends so much,” I told her through tears. “I just want to completely support them. I feel like I’m betraying them because I’m just not sure.”

She comforted me, assuring me that my internal conflict didn’t make my love or encouragement any less real. She couldn’t fully soothe me, but it felt so much better to cry on someone else’s shoulder instead of alone. I told her—and the other people from our college—that I wanted to create a safe and accepting space for queer Christians on our campus. In so many ways, my faith defined me and offered comfort when nothing else would. I wanted to extend that sense of security and community to people who were so often disrespected, disregarded, and hurt in places they should have been able to call home. My small group encouraged me, offering help and resources, and I grew accustomed to telling people I’d just met on the trip about whatever was on my mind. Often, they prayed with me and affirmed my aspirations, but not everyone was so enthusiastic; I spoke to one woman at a booth advertising another campus outreach organization who responded to my hopes with a sour look.  

“Well, you’ve got to be careful,” she said. “You don’t want to encourage or condone that lifestyle.”

I maneuvered my way out of the interaction as soon as I could, thrown several steps backwards by the woman’s instant judgement. But before I could get far, another woman, who had been standing nearby, pulled me aside.

“You’re doing a good thing,” she said. “People like her…they’re the reason why we need to make spaces like what you’re hoping to do.” We stood together for a moment to pray before leaving to rejoin our own groups.

Towards the end of the conference, I sat in the hotel room alone, thinking about my unanswered questions, not expecting anything, but wondering and praying quietly. Suddenly, I felt a sense of peace wash over me. There was nothing I saw, nothing I heard, no external sign of a change. There was only a feeling, a message, an answer pressed into my mind.

I want you to be affirming, so you can love people the way I need you to.

I started to cry. I was only one person—God wasn’t asking me to divine absolute rights and wrongs. I wasn’t supposed to blindly devote myself to others’ interpretations or change anyone else’s mind. Being an affirming Christian was the path God wanted for me. The oft-repeated instruction to “have faith” finally snapped into focus. I didn’t need to have faith in other people’s convictions, but in the fact that the God I’d dedicated my life to was loving and wanted me to accept and to cherish, above all else.

As I returned to everyday life, I wasn’t any more connected to the institution of the church, but I no longer felt a heart-rending divide between my desire to be accepting and my dedication to my faith. I still felt lonely—most people were either Christian or queer affirming, not both—but at least I was anchored in my beliefs. I spent a few months becoming familiar with my newfound security, still somewhat uneasy, as if something was missing. I attended events celebrating queer identities with my friends, and while I was excited to go, I felt uncomfortable and out of place once I arrived. I shouldn’t be here, I admonished myself, even though allies were encouraged to join. Only as a long summer back in my family’s Christian social circle was nearly at its end did I realize that while I had always wondered if I was bisexual, I’d never wanted to find an answer. For the first time, I honestly considered my sexuality. I examined my memories of high school friendships, those impossibly beautiful girls, and my obsession with Serena van der Woodsen, and ultimately determined that I really was straight. I was surprised.

But when I moved back in for the fall semester, the pieces of the puzzle finally fell into place. I no longer rushed to label every unsettling flutter; now that I was open to the possibility of my own queerness, I interpreted my feelings as they truly were. When tiny interactions in hallways or the dining hall left me feeling equal parts nervous and excited, I realized I wasn’t intimidated or jealous or hoping to make friends—I was queer. But was I really certain enough to tell anyone?

At a party a few weeks into the semester, I felt my stomach flip as a pretty girl I’d met once or twice walked in. This was getting ridiculous, I thought. I was queer. There was no way for me to quantify my attraction, but I didn’t need to. I wanted to share my excitement with my friends, and I wanted to do it as soon as possible. A few days later, I lingered in my friend’s dorm after a movie night, chatting with her after everyone else had gone to sleep. The room felt so cozy with almost every light turned off—a single lamp illuminated our side of the room with a warm glow. When our conversation lulled, I seized the moment.

“There’s something I want to tell you,” I said, then quickly added, “It’s not anything serious. I just wanted to tell you that I’ve been doing a lot of thinking and a lot of self-reflection and…I don’t think I’m 100% straight.” We both paused for a beat, and I almost couldn’t believe I’d actually said it.

“Would it be in poor taste for me to say I’m not surprised?” she said, and we both collapsed into laughter.

I felt a wave of relief, and the type of conspiratorial late-night excitement usually reserved for middle school sleepovers. I told her who had recently caught my eye, and I couldn’t stop smiling; her response was exactly what I wanted. Over the next few days, I stole moments alone with each of my friends to share the news. Later, with a more solemn tone, I started opening up about the guilt and fear I’d carried. I cried, but the words felt bittersweet, intertwined with the knowledge that I’d come out on the other side, rejoicing in my queerness and recognizing it as a piece of myself that was lovingly crafted by a caring God.

lip locked by Ziggy Angelos

by Lucy Verlaque

Surfing Lessons

The asphalt streets are damp with overnight rain, shining as a new day unfolds along the coastline. At 7 a.m. the sky is pale blue and cloudless, the sun not yet visible from behind the mountains; the air is sea salt-sweetened, not yet thick with strangers and sunscreen and sweat.

You breathe in deep, an instinctive attempt to savor the solitude. Except, you’re not truly alone—palm trees sway over you, seagulls watch intently from the rooftops. A ladybug lands on your shoulder, and you let it sit there, recalling fabled promises of their good luck. You’ll need some this morning; it’s been a number of years since you last encountered the ocean, let alone surfed it. You watch the bug crawl along your skin for a moment until it begins to lift its wings, and you try to ignore the disappointment that strikes when it flies away.

The surfboard under your arm is nearly twice your height and presses heavily against your fingertips. Despite its weight, you find yourself walking slowly. The rhythmic rush of nearing waves seems to match the pace of your footsteps, the beat of the board bumping against your hip.

The surfing beach is a thin strip of a shoreline that stretches below a wall of sand-dusted rocks. There are no steps down, and you’re forced to follow a vague trail of descending footholds in the sloped stones; it’s inconvenient enough without the added bulk of the board challenging your balance. You’re quite pleased with yourself when you make it to the bottom without so much as a stumble, though you choose not to think about having to repeat the journey when it’s time for you to leave.

As you step forward, the sand underneath your feet melts from soft and yielding to firm and ocean-crisp. The first wave of water flows around your ankles, sharp and laced with distant regret; you can’t help but question if wearing only a limp rashguard over your cheap two-piece swimsuit was the most sensible idea. You never wore a wetsuit when you were a kid, braving the blue temperatures with an armor of adrenaline, but the warmth of fearlessness has dulled over the years. Now, despite its familiarity, you shiver and hesitate against the anticipation of submerging yourself into the cold and cruel Pacific.

But you didn’t haul your old surfboard all the way down here just to stand lamely on the beach. You clench your jaw stubbornly and start running, the board swinging under your arm as you leap over the tide; before your body can register the shock of the chill, you’re already waist deep and launching yourself above the rough waters. You grip the sides of the board and press your chest close to its sleek frame, sea spray spitting at your face. You wipe forcefully at your eyes and manage to clear your vision just in time for another shower of salted droplets to rain over you.

Once you swim out far enough, though, the waves settle into gentle swells. You sit upright and catch your breath, legs straddling the board and sinking into the suddenly smooth sea. You feel obligated to properly appreciate the fleeting stillness around you—but your mind drifts. You stare into the glassy surface and imagine shark teeth emerging, wrapping around your exposed limbs. You’re too easily startled when a stray strand of seaweed skims against your leg.

Unassuming waves rise against the horizon and roll out from underneath you; as you watch them ripple and break closer to the shoreline, you realize your patience is beginning to slip with the lost opportunities.

You lay back down against the board and eye the skyline with renewed focus. When you notice a distant wave beginning to rise, you steer yourself shorebound and begin paddling. Your strokes start broad and slow, but you quicken your pace as the wave draws nearer.

Too quick—the water breaks behind you in a rapid crash, and you’re hit with a foaming white stream that knocks you over and sweeps you under. For a moment, your senses are flooded with deep-sea darkness and unbreathing panic. You thrash against the invisible pressure with frantic, directionless movement.

But the harshness is fleeting, too. You feel the currents calming around you, and you’re able to return to the surface. You breathe in deep, but there’s no time to savor it—another wave is already growing behind you.

You’re back on the board before you can think twice, arms propelling automatically. You don’t look back—you just move. The roar of the wave looms over you, and you feel it catching, pushing you forward with a violent surge. You brace yourself for another wipeout, but the board is steady, streamlined toward the sand.

You train your eye on the coastline to keep your body balanced as you begin to push yourself up. You watch the sunlight as it starts to lift above the mountains, brightening the shore in shades of gold. You lift up to your knees, and the day has unfolded around you, and you stand.

by Jaya S. Basu

How to Write a Song With Someone

1: Consent

Request the calluses on his fingers and the notes app
Poetry he sends only to you.
Fiddle with your fingers so they
Can’t tremor like they did
Hovering over the send button.
Chew on your nerves until they’re
Cut like rat-gnawed wires, a closed-circuit system of
Unfinished lyrics and self-doubt and minor thirds.
Feel the currents alternate as you stare at your ceiling–
Alternating indecisive charges
Flow through your too-small veins.
Wish you could unsend a message–
Instead,
Warn him that you typically work alone.
Promise him you’ll pour him chamomile.
Preen when he accepts.

2: Foreplay

On Friday, invite him to sit cross-legged on your garage floor.
Eye his tuning fingers as they
Linger over nylon catgut.
Run your fingers along the fretboard.
Hesitate
Just long enough for him to lift his cup of tea;
Just slow enough that you can see he’s shaking, too.
Let vulnerability steam your glasses,
Then hold your head high to
Confess that you’ve never done this before.
Hide your face when he asks what your song is about.
Lay yourself as bare as the pages in the notebook you
Jot down melodies and uke tabs in,
Which is to say, not.
You are scrawled with treble clefs and
Unsure intervals and
Not-quite-catchy hooks.
They spiral around your throat and chest and arms and
Bare a story, so
Inelegant, so unpretty, that
You’ve never sung it aloud to anyone.
Remove your sweater,
Exposing the writing on your neck
So he can scratch the adverbs out with red pen
And write better words over your carotid arteries.
As the pen digs into your skin,
Scrape your fingernails against the concrete floor and
Hold your breath,
Convincing yourself, tight and discomposed,
That it feels good.
Relax, and realize
That it does feel good.
Use your phone camera as a mirror to read the words backwards, and
Wonder why you didn’t think of them first.

3: Intercourse

Tangle your fingers in the pages of his Moleskin.
Press your palms into your crossed knees and dig your nails into your bones.
Release the tension as the chord resolves.
Squeeze your diaphragm until–giggling and giddy–you crack.
Roll your tongue over the r in contrapunto in
Grinning confession, blushing proposition.
The brass in your voice is unpolished, the timbre uncut.
Still you set it atop
His–it rumbles in your chest, the
Shimmering foil behind your gleaming falsetto.
The counterpoint rings–
Glinting like diamond and shining like gold.
Revel in the glow of the harmony casting shadows on the walls.
Relish the bass resonating in the dome of your skull.
Draw a curlicue bracket and two dots at the end of your staff paper–
Repeat, repeat, repeat.

4: Aftercare

Ask him if the melody was too simple.
Brush his slim shoulders with the
Gentle suggestion of your uncertainty.
Let your fingertips graze the cement and feel
The questions–elated, aerial, desperate–spiral through the ceiling in
The interval of silence.
Laugh when he tells you
It wasn’t simple enough.

5: Walk of Shame

Upload the demo to Bandcamp.
Link it in your Instagram bio.
Credit him by full name.
Like the messages from your friends about how they love it.
Ignore the ones who ask questions.
Monologue to yourself in the shower, answering their questions–
Don’t give them the answers.
Whisper them into the steam and hope the steam forgets.
Send the mp3 file to your mom and don’t return her calls.
Listen to the song again.
Wonder if he’d pick the same mug if you offered him chamomile again.
Wonder if the snaking scratched-out words might slit your throat in the night.
Wonder if the cracks in your pride are filled with cement or liquid gold. 
When 3AM comes next Thursday, type out a message to him but don’t send it
yet.

lay by Ziggy Angelos

by Sophie Kilbride

Poolside

The stars, molded in constellations we cannot name 
     stretch silver across our upturned faces.

Late summer moonlight collapses over water, darkness licking
   everything.

Brushing away sleeping mosquitos,
   your feet dangle over the deep end,
eyelashes fluttering closed.  

If we ever forget this hour,
   cold lips trailing whispers across a black yard,
at least the night bent into us once.

A pool, your pale hip bone in lamplight,  
  and the moon touching concrete, spinning cement into sea glass.

Tomorrow is dangling
   change between our pruned palms,
summer slipping through our fingers like fireflies.

But then you say something funny, and we laugh until the dogs start barking.  
   You’re already grabbing my hand,
pulling me down a grassy hill by the time the porch lights are blinking on.

Thanking the darkness between breaths,
   our laughter tumbles into echoes of forever.

Towels falling, silence the only way we know how,
   midnight is a hallway leading to warmth.

夏の終わり(Natsu no Owari—The End of Summer) by Seth Horan